A Museum Divided

The Lincoln Museum in Springfield is deep in debt and feuding internally. A shame that this is happening during the sesquicentennial celebrations.  Here’s hoping they can get their act together and their debt paid off, and get on with being an informative and entertaining center of history.

Just seven years old, the Abraham Lincoln Presidential Library and Museum is on its third executive director. Attendance is down and money is tight.

The institution is not accredited, and American Association of Museums in 2010 found shortcomings ranging from an inadequate disaster preparedness plan to a governance structure with potentials for conflicts of interest. There is tension between the institution and its private fundraising foundation. Not even Lincoln’s iconic stovepipe hat is a given.

via A museum divided.

NPS Trip Planner

The National Park System has created a new Civil War portal, with a map tool that allows you to create a route for sesquicentennial holidaying.  It seems promising, but in my opinion needs some refinement.  Independent sites are available, but major and minor sites are given equal stature, so it’s difficult to zoom in on, say, Virginia, and gauge which of the hundreds of homes and museums are worth seeing.

The most impressive feature that Litterst shared during a lightning-fast demonstration was the site’s “Plan Your Visit” tool, which includes more than 1,700 Civil War sites around the country, including more than 100 national parks with lore from the War Between the States. In seconds, this interactive mapping gizmo enables user to build itineraries linking National Park Service spots with state and privately Civil War-themed historic sites and museums. The tool provides maps, driving distances, turn-by-turn directions, site descriptions, and links to more information about each place…

Once you’ve built your itinerary, you can print it, tweet it, post it to Facebook, or share it via a variety of other web and social-media sites.

via Cool Trip Planner is Part of NPS Civil War 150 Site – Past Is Prologue.

Ford’s Theater Expansion

Today is the anniversary of Lincoln’s death, the process of which started the night before at Ford’s Theater, and ended across the street at the Petersen House. This year, both events and locations have been commemorated in a newly expanded museum housed in the building adjoining the House Where Lincoln Died.

Wait a minute, you might think. Education and leadership? The Civil War is barely over. Lincoln is dead. The nation is in shock. How do we get from there to a “center for education and leadership”? I have questions about that, but before exploring the quirks of contemporary commemoration, it is worth paying tribute to what has been accomplished. Lincoln has long been at the heart of the capital city: the National Mall is an affirmation of the Union he championed, the Lincoln Memorial on one end, and the Ulysses S. Grant Memorial on the other. But there was, until recently, no extensive exhibition here about Lincoln and his times. Ford’s Theater, Mr. Tetreault explained, used to be a brief stopping point.

Now, with these exhibitions, Lincoln has found a home in a place best known for his death. With the historian Richard Norton Smith as adviser, and displays designed by Split Rock Studios and Northern Light Productions, Mr. Tetreault has given visitors a grounding in the history of Lincoln’s time, a sense of the melodrama of his murder and an affirmation of Lincoln’s influence.

The biography is omitted — for that you should visit the Abraham Lincoln Presidential Library and Museum in Springfield, Ill., which turns his life into a series of special effects and tableaus — and his ideas could be more fervently explored, but there may be no better survey of Lincoln than the one offered here. The emphasis is not on artifacts, though you can see the ring of keys found on Booth’s body and other objects. But the exhibition succeeds because of a careful narrative, well-chosen images and informative touch screens; the new completes the old.

I keep putting off my trip to Washington, and keep finding articles like this chastising me and reminding that this is a bad decision!

http://www.nytimes.com/2012/02/11/arts/design/lincolns-legacy-at-expanded-fords-theater-complex.html?_r=1

Putting the “Cents” in Sesquicentennial

As one who never carries cash, it’s rare for me even to see Canadian quarters, so I don’t expect to find any of these in my change.

Nifty commemorations, though I’m not sure about the artwork, which is a little plain.  (Still, it beats this old Isle of Man 20P, whose face an old friend described as “cars leaving pub parking lot.”)

 

U.S. Mint to Release Gettysburg and Vicksburg Quarters in 2011 | Iron Brigader.

Family Ledgers

I posted a somewhat whimsical article on April 1st about family trees, and today’s news item is a more sombre followup.

My mother is a genealogist, and delights in tracing our family tree (which consists mainly of failed farmers or drowned fisherman – unlike their lucklessness, I have not inherited her enthusiasm). It involves painstaking detective work, investigating Scottish and Irish church records, municipal rolls and clerical receipts, but the links are there for anyone who wishes to find them.

I wonder, if we were black Americans, if genealogy is something she would even attempt to undertake. The records, where they exist, would be so muddied and complicated – involving sales across distance, informal family arrangements and unofficial marriages – as to make this detective work impossible.

While not decreasing the difficulty in such a search, the Virginia Historical Society has provided some intriguing new records to pore over.

So using a $100,000 corporate grant from Dominion, one of the nation’s largest producers and transporters of energy, society researchers began examining some of its 8 million manuscripts that Virginia residents have been giving to the historical society since its founding in 1831.

Those Virginia families found the old, handwritten papers in attics, basements or desk drawers, Levengood said. The society stores the documents in an archive spanning thousands of square feet, he said.

The antique papers turned out to mention slaves.

“Often they appeared in the records of the owners who owned slaves as human property, which to us sounds so obscene and alien,” said Levengood, who’s also a historian. “But these people were writing down their inventory as if you would for insurance purposes. That’s the kind of things that owners did with slaves. This was the most valuable property they owned, and they wanted to make sure it was recorded.
“Often there was a human connection, and they grew up with these people, and they recorded their birth dates and deaths. It’s an incredibly complicated and tragic institution that we’re just beginning to understand the dimensions of,” Levengood said.

The Society is offering workshops on using the databases. Budding genealogists are already exploring the data.

Amateur genealogist Crasty Johnson of Richmond said she hopes the sites will help her trace her roots back to the 1800s.

“I need to know my history,” she said, adding the site may help her prove or disprove many of the things she’s heard about her family’s past. “I wanted to really know. I wanted to be able to see and connect the dots.”


Shadows of History Exhibit

Civil War buffs in Washington, DC have another month and a half to partake in the Corcoran Gallery’s Shadows of History exhibition.

The photographs capture a wide range of subjects, from geographical views, landscapes, and portraits of soldiers and officers at rest, to the death and destruction in the aftermath of battles. Photographs by George Barnard, Issac H. Bonsall, Mathew Brady, Alexander Gardner, James F. Gibson, Frederick F. Gutekunst, Timothy H. O’Sullivan, Andrew J. Russell, D. B. Woodbury, and others, are included. A special emphasis of the collection is rare imagery of African American regiments and their underappreciated role in the war.

That’s quite the roll call of photographers, and the Colored Troops shots would be fascinating. I think I’ve seen the same 5 USCT photos a hundred times!

http://www.corcoran.org/shadows_history/index.php

More Unsung Preservationist Heroes

You’ll permit me one last public thank-you to those who go out of their way to preserve and present historical sites; this story made the Virginia news in early February, and I thought it worth a mention.

This week’s collapse of a Civil War-era tobacco warehouse on Dunbar Drive has thrust a spotlight on another Lynchburg building — which now stands as the city’s sole surviving warehouse-turned-war-hospital.

“It’s sad,” said Crystal Morris, of family-owned Morris Construction, which occupies what historians refer to as the “Knight Building.” “This is the last one.”

During the Civil War, dozens of Lynchburg buildings were converted into hospitals to care for the wounded pouring in from battlefields.

The Knight Building, named for tobacconist John P. Knight, was called into service along with its neighbor across the street, known as the Miller Building.

Together, the two structures witnessed the deaths of more than 200 soldiers.

Here’s a look at the last remaining building, and the restored structure.

In an era of cheap construction, monster homes and mindless development, this section of the news piece was really heartwarming:

The Knight Building is a circa-1845 four-story brick warehouse. When Crystal and Steve Morris bought it in 1997, it was vacant, run down and filled with long-abandoned junk.

The building needed an enormous amount of work. The night after they agreed to buy it, Steve Morris woke up in a panic, wondering what he had done.

Today, historic restoration is a specialty of Morris Construction.

“We reworked the roof, repointed the brick, put steel supports in where we thought it was weak, fixed every window,” he said. “It’s been a lot of work, but we wanted to preserve it.”

The upper levels of the warehouse have their original floors, beams and, in some cases, windowpanes. The Morris family has opened it up in the past for historic re-enactments.

“One neat thing about this building is, every five or six months, the doorbell will ring and it will be someone whose traced their ancestor back to the war and back to here,” said Crystal Morris, adding they always are happy to let people upstairs to see the old hospital rooms.

“It seems to help them make a real connection,” she said. “To be where their ancestors were.”

It would be easy (and likely cheaper) for this family to turn people away, or to gut the structure and develop the inside. Instead, they’ve chosen not only to foot the bill for the preservation, but to invite strangers in to experience the surroundings. I like to think there’s an express lane to heaven (or at least a fast-track to preservation grant approvals) for people like these.

http://www2.newsadvance.com/news/2012/feb/03/tobacco-warehouse-turned-civil-war-hospital-last-o-ar-1660602/

Civilians During Wartime

“Free Jazz” is a phrase that doesn’t much stir my enthusiasm, and I admit I’m not quite sure what to make of this, but it’s an interesting news item to note, and besides – I’m sure there are readers for whom “Free Jazz” inspires the same kind of heart-throbs that “fluffy kittens” or “Tecumseh Sherman” do for me. (I’m a girl of varied tastes, what can I say? If they ever uncover a tintype of Sherman holding fluffy kittens I might shatter every window in Toronto with my high pitched squealing.)

The six new compositions in this concert give voice to the thoughts and feelings of the mothers, brothers, civilian spies, and runaway slaves all living in the war but rarely seeing the battle field. The tone of these compositions reflects the anxieties and fears of a population living in an unforeseeable future.

Jazz pianist Dave Burrell, with violin accompaniment, presents a Civil War-themed programme commissioned by the Rosenbach Museum & Library. The link below has the entire hour-plus performance embedded if, well, y’know… “Fluffy kittens”.

http://www.rosenbach.org/learn/artists/projects/civilians-during-wartime

Prison Sketchbook

Another artifact donation in the news, though unlike the Jim Lane portrait, this one was probably a wrench to give away. A Danville museum was just given a sketchbook belonging to a POW, which contains some excellently rendered landscape scenes and portraits of his fellow prisoners.

http://www.wtvr.com/news/wdbj7-civil-war-sketchbook-returns-to-danville-20120201,0,1236021.story

The Hunley – Photo Gallery

National Geographic offers a small photo gallery of the newly restored and displayed Hunley. If you’ve read any of the previous Hunley posts, you’ve probably seen most of these pictures, but the first is pretty revealing: The fully “restored” (it looks extra crumbly) sub with a restorer or museum staffer next to it. It’s bad enough to think about what the Hunley crews went through, but to have suffocated after spending hours trapped in that claustrophobic tin can makes it all the worse.

http://news.nationalgeographic.com/news/2012/01/pictures/120131-hunley-civil-war-first-submarine-science-nation/#/civil-war-submarine-revealed-hunley-side_48007_600x450.jpg